Samuel and Lourdes are a humble marriage that go out of their way taking care of the land and their Lord properties. The owner of the house is Víctor, an ancient vampire that only feeds himself with the blood of bad people. Generation over generation, Samuel's family has been in charge of the duty of protecting their Lord but now, Samuel and Lourdes have two problems: they can not have a baby and a mysterious vampire relative arrives to the place turning everything upside down.

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Amos Lasher loses his wife and home in an accident, finding himself in the care of the state, or specifically speaking, the Sunset Nursing Home. Here he finds the head nurse, Daisy Daws, ruling the cowed patients with an iron hand, but as his determination to get out of Sunset grows, the more sinister his situation becomes.

In a near futures a young woman, Anna, suffers a progressive addiction to a drug which begins to have bizarre side-effects, threatening to ruin the already tenuous relationship she has with her mother. With communication almost non-existent, her mother decides to take an extraordinary step to restore Anna's innocence.

A gay Isreali film maker, Amos Guttman died of aids in 1998 at the age of 38. This is his story.

Flor thinks she's in vacation with her father, when in reality Pedro is kidnapping her due to the fear of not seeing her again. When Flor discovers the truth, she escapes. Érica, her mother, looks for her desperately.

From 1977 to his untimely death in 1993, Amos Guttman directed six films, all of them deeply personal reflections of his own life. Interviews with lovers, family and friends--including some of the most important people in Israeli cinema--tell the gripping story of a strikingly handsome, charismatic and deeply passionate gay man who has become a revered cult figure in Israeli cinema.Interviews with the late filmmaker and fascinating footage of him on the set convey the same passion that comes through in scenes from his films, lovingly selected by documentarian Ran Kotzer. Like Fellini, Guttman transformed his dreams and everyday conversations with friends and family into integral parts of his pictures. He is most remarkable for his striking and original use of the frame. Every shot is a treasure. Amos Guttman dared to portray subjects that were taboo in his society, and his search for the right of individual expression is the connecting link of his works.

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70-year-old Malena gets a second chance at life when she magically turns into her 22-year-old self. Now, posing as "Maria" to hide her true identity, she becomes the lead singer of her grandson's band and tries to recover her dream of singing, which she had to give up at some point.